Fi, maris, de vostre amour

The manuscript the edition cites

• Paris, Bibliothèque nationale de France, Français 25566

  Folios

  33r–33v (stated by the edition's metadata.yaml ('F-PN fonds français 25566', 'No. 6, fol(s)/pages 33-33v', with links to Gallica views f73 and f74); the Gallica IIIF manifest labels views f73 and f74 as 33r and 33v)

  On this site

  Paris, Bibliothèque nationale de France, Français 25566 · open in the reading room

  IIIF manifest

  gallica.bnf.fr

  Library’s statement

  Bibliothèque nationale de France

  Rights

  The library's terms (gallica.bnf.fr)

  At the library

  Images at the library

  DIAMM

  source record · composition record

Checks

Schema

Valid MEI 5.1 with each of: lxml (libxml2) RelaxNG (mei-CMN); lxml (libxml2) RelaxNG (mei-all); Jing 20241231 (mei-CMN); Jing 20241231 (mei-all); SchXslt 1.10.1 on Saxon-HE 12.5 (mei-CMN); SchXslt 1.10.1 on Saxon-HE 12.5 (mei-all)

Against the edition

Every note (202) and syllable (141) matches the edition’s own MIDI file in pitch, onset and duration.

Engraving

Verovio 6.3.0-425dd7b, 1 page

How the encoding was made

• All notes, rests and syllables come from the source edition's LilyPond file at the pinned commit, converted mechanically. Nothing was transcribed from the manuscript for this encoding.
• Pitch, onset and duration of every note and the placement of every syllable were checked automatically against the edition's own MIDI file (checks/midi-compare.json).
• Accidentals: written accidentals are encoded where LilyPond's default accidental rule prints them in the edition; sounding alterations are given in @accid.ges on every other altered note.
• The edition sets the same text under all three voices; each voice carries it as verse 1 of its staff. Lyrics, punctuation and spelling are copied from the edition.
• The edition writes the rondeau out in full from two music sections; the encoding follows the written-out form measure by measure.
• Beams are encoded where the edition beams explicitly (the edition switches automatic beaming off). Layout instructions of the edition (page size, staff size, system spacing) and its ambitus signs at the start of each staff are not encoded.

Where the encoding differs from the edition

• Ambitus signs printed at the start of each staff in the edition (produced by its layout file) are not encoded.
• System and page breaks follow Verovio's layout, not the edition's.
• Voice names (cantus, altus, tenor) exist only as LilyPond context names; they are recorded here but not encoded as staff labels, as the edition does not print them.
• The edition's melisma marks (\melisma ... \melismaEnd) only steer the lyric placement; they are not encoded as such.
• The edition's MIDI tempo (quarter note = 110) is not encoded.
• Verovio may draw lyric hyphens and extender lines in other places than LilyPond, which drops hyphens where space is short.
• Where the edition writes an extender after a syllable sung on a single note (e.g. tenor 'Car __ j'ai __'), LilyPond prints a short line; the MEI keeps the extender (@con='u'), but Verovio 6.3.0 does not draw it and warns.

Licences in full

This MEI file is a mechanical conversion of Monique Rio's edition (St Cecilia Press, https://stcpress.org), which is licensed CC BY 4.0 according to the publisher's statement and the edition's own score footer. Because the licence badge on the publisher's page links to CC BY-SA 4.0, the conversion is released under CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0/), which satisfies either reading. Attribution: edition by Monique Rio, St Cecilia Press; MEI conversion by Motetus (AEM Ventures SRL). Changes: converted from LilyPond to MEI 5.1; see the encodingDesc and revisionDesc.